Friday, January 25, 2008

FINALLY, The Reviews Are In!!!










Alicia Keys
AS I AM


A solid effort from somewhat veteran Alicia Keys. She shows off her experience with 3 albums notched on her belt. There's little progression from her last record as many songs could unmistakeably be interchangeable between the two. Oh you R&B singers! Alicia still suffers from R&B filler syndrome with too many songs and most of them that drone on and are easily forgotten. However, the ones that do stand out are there for a reason, anchoring Key's collection of consistent R&B songs.

There's a notable and strange correlation between Alicia Keys and Mariah Carey here: both singers released critically acclaimed debuts winning multiple Grammys. Following with less successful, more emotional sophomore albums, they both made their third records live MTV Unplugged EP's. Lastly, both singers made little progression to their 4th release however successful they are. Key's "No One" isn't unlike Carey's "Dreamlover," overdone midtempo coos about love; Carey's search and Key's content. Both albums forgettable except for anchoring singles cherry-picked to perfection. Let's hope for Alicia's next album that she has a Daydream up her sleeve.

Key Tracks
"Like You'll Never See Me Again"
"Prelude to a Kiss"
"No One"











Mary J. Blige
Growing Pains


Growing pains indeed. The longer I listened to this bad record the more I wanted to shoot myself. Mary J. Blige surely must have been out of her mind when she decided to release this album of fillers and b-sides at best. It's a bad collection of worse songs catering to a predictable Adult R&B audience of insecure 30-year-old single black woman. Blige offers nothing but jaded advice of loving oneself that she's been shopping since her first record only with a twist of degraded quality. Throwing a bunch of producers on an album no longer constitutes innovation, it's more like suicide. If her last record was the The Breakthrough, surely this is the rush-through.

Key Tracks
"Feel Like a Woman"
"Come to Me"

Thursday, January 24, 2008

Post-Daydream Nation

After hearing RAVE and ridiculously positive reviews glorifying Radiohead's IN RAINBOWS, I took a listen. Unimpressed as I was I kept my mouth shut. A few weeks later I see Radiohead's pretentious psycho fans walking around YouTube and attempting to blast my comments about Radiohead offering nothing new or innovative to music. I stand by my opinion.

Has anyone ever heard of a crazy Iclandic singer by the name of... oh... Björk!? OR how about a band called fucking Sonic Youth? Yeah. It's funny because I just came off a Björk-resurgence and I've been on a Sonic Youth kick for the past few months. So when I heard IN RAINBOWS by Radiohead I was actually baffled by the acclaim its received.

Praised for its swirling guitars, droning vocals, and deconstructed sound... that's an entire checklist of the signature Sonic Youth sound. Does anyone listen to good music anymore? Combine with a futuristic synthesized electronic orgy of noise over pop beats... what else could come to mind but Björk?

So to these ignorant shit Radiohead superfans, do your research before you proclaim a 15-year-old sound "revolutionary" and "innovative." Put your Radiohead record on ice and play a fucking Sonic Youth LP. It's already been done so don't TRY to school ME on artistic merit. Besides, listen to the radio and everything's electronic and space anyway, how is this Radiohead record any different from a cut found amongst Timbaland's production credits? Radiohead just lacks the ability to write a constructed song so they take their session hissing and throw it on a record praying it will appear "brilliant" as Rolling Stone claims.

Rolling Stone also issues the statement that "All of it rocks; none of it sounds like any other band on earth; it delivers an emotional punch that proves all other rock stars owe us an apology." Fuck off, Rolling Stone and proceed to swing from Kurt Cobain and Madonna's ballsac.

The only thing else I'll say is how inquisitive I am to see pictures from the recording sessions of IN RAINBOWS. I'm sure you'd find cassette, CD, and vinyl copies of Björk's breathtaking Post (1995) along with Sonic Youth's immaculate 1988 release, Daydream Nation. I want those negatives. Until then, I await the battle of the Diva's: Janet Jackson, Mariah Carey, and Madonna are all set to release albums Spring of this year. meow.

In Ribbons

I love this old record so I figured I'd finally let you guys get my definitive version of it to DL for free. It's amazing start to finish.

i removed all the weaker tracks and condensed it to incorporate the songs left off the record that should have ANCHORED it.

it's a gorgeous etherial album WELL WORTH a listen. please listen to this record.

enjoy.



Pale Saints

IN RIBBONS

01 Fine Friend (prelude)
02 Throwing Back the Apple
03 Thread of Light
04 Shell
05 Kinky Love
06 Blue Flower
07 Liquid
08 NeverEnding Night
09 Featherframe
10 Fine Friend
11 A Thousand Stars Burst Open